Regular cameras blink. Pinhole cameras stare.

The "sunny sixteen" rule says that on a bright, sunny day with the aperture set to f/16, a typical outdoor setting, you should set the shutter speed to one over the rated film speed.

If I had been out yesterday afternoon with the Yashica-D loaded with ASA 100 film I would have set the shutter speed to about 1/100 of a second or a bit slower since the sun was no longer at peak intensity.

With the same film loaded in the Holga Pinhole I was shooting in the five to ten second exposure range.

My Holga doesn't even have a shutter to release; the only shutter it has is the lens cap. When I'm ready to shoot I remove the lens cap, count to five or ten or whatever seems reasonable, and put the lens cap back in place.

Shooting inside in dim light I might let the camera sit and stare for ten minutes or more.

Pinhole cameras are strange and wonderful beasts.

There is a World War I vintage howitzer set as a memorial off to the side of the Point Pleasant roundabout. I shot most of the roll around it. The sunset view was the last shot on the roll as I walked back from the Sea Breeze flags shot.

Holga 120 Pinhole Camera
Kodak TMax 100 120 roll film
Epson Perfection V500 Photo scanner